I direct by starting with research. Before rolling camera, I know what I'm trying to say and what the story demands. That preparation translates to clarity on set—I know what I'm looking for, which means I can give actors and crew room to find it. I've directed hundreds of interviews across documentary and commercial work, learning to put subjects at ease while maintaining technical precision. Whether directing a commercial or documentary, the approach is the same: immense preparation, attention to detail, and a clear vision of what the story requires.